When Mark Howard was a teenager growing up in Hamilton, ON, his high school councilor predicted he’d be “nothing but a criminal.” Instead, Mark has enjoyed a legendary recording career, engineering and producing classic albums by Bob Dylan, Neil Young, Tom Waits, REM, U2, Red Hot Chili Peppers, The Tragically Hip, Lucinda Williams, and many more.
But in recent years, Mark has been battling for his life. In 2017, he was diagnosed Stage 4 melanoma and the time since has been more than challenging; however, thanks to some groundbreaking immune therapy research by a doctor at the Princess Margaret Cancer Centre in Toronto, things are looking optimistic for Mark. To give back, he has organized a star-studded charity concert for Oct. 6 at Roy Thomson Hall in Toronto, which will feature Randy Bachman, Sarah McLachlan, Sam Roberts, and more. Learn more and get tickets at: www.roythomsonhall.com/tickets/mark-howard-grand-concert/.
In this in-depth interview, Mark takes us through his entire career, and he isn’t shy about sharing some very entertaining behind-the-scenes stories, like the time Daniel Lanois smashed a dobro in the studio out of frustration with Dylan, or when Mark got Neil Young back on marijuana.
Kanye West Joked About His Divorce From Kim Kardashian During A Surprise BET Awards Appearance And Said He Wanted To Declare Himself “Legally Dead” Following Their Messy Feud
The rapper took to the stage to honor Sean “Diddy” Combs at the BET Awards on Sunday, making reference to Kim for the first time since their public dispute earlier this year.Posted 13 minutes ago Kanye West looks to be making a return to the public eye. Kevin Mazur / Getty Images for Sean Combs…
The rapper took to the stage to honor Sean “Diddy” Combs at the BET Awards on Sunday, making reference to Kim for the first time since their public dispute earlier this year.
Kanye West looks to be making a return to the public eye.
If you’re a fan of Ye’s, you’ll know that he recently took a step back from the limelight after his split from Kim Kardashian hit a major rough patch.
After filing for divorce fairly amicably back in February 2021, Kim and Ye’s breakup took a messy turn in November, around the time that things started getting serious between Kim and her current boyfriend, Pete Davidson.
Of course, in light of Kim’s budding romance with Pete, this made for quite the awkward situation, and as a result, Ye wound up taking his frustrations to social media.
Starting in February and posting regularly until mid-March, Ye harassed Kim and Pete on Instagram, sharing their private messages and even encouraging his fans to yell at them in public.
Ye’s constant posts sparked major concern among his followers, with many accusing the rapper of exhibiting abusive behavior toward Kim and Pete. And in March, his Instagram account was suspended for 24 hours after he violated the platform’s harassment policies.
Flash forward to today, and Ye is yet to make a full return to the public eye, having only been spotted on the occasional public outing.
Interestingly, reports in the aftermath of their feud claimed that the Yeezy founder was actively seeking “behavioral” treatment, in order “to be a better human and a better dad.”
Taking to the stage to present the Lifetime Achievement Award to his longtime friend Sean “Diddy” Combs, the Donda rapper — whose face was completely covered by a black mask, hat, and sunglasses — was met with loud applause from the crowd.
“How do we crown our kings? How do we appreciate our kings?” his speech began, before going on to praise Diddy’s work in the music industry.
“To see Puff in real life at the ‘Missing You’ video, just like me tapping free like a little kid — I just need to meet this man. This is my favorite artist,” he said, sounding noticeably upbeat.
“You see I’m saying ‘favorite artist,’” he clarified. “Everything — not specifically production, the drip. Back then there was so many rules to hip-hop, and he broke all of them.”
Reflecting on what he learned from Diddy in his own career, Ye even made reference to his failed marriage to Kim, sparking mixed reactions from the crowd.
“He inspired so many of my choices. So many of my life choices. My wife choices,” he said as the audience erupted into noise.
“And here we are,” he added with a laugh. “Thanks for that, Puff.”
What’s more, Ye also appeared to corroborate reports that he wanted to take “a year off” in the wake of his public feud with Kim, confirming in his speech that he recently took “a little hiatus.”
“I said, ‘I want to just declare myself legally dead for a year,’” he told the audience, seemingly referring to his absence since being banned from Instagram. “Nobody messin’ me. You know, I just want to be off the grid.”
But, despite his hopes of keeping a low profile, Ye seemed to suggest that the opportunity to honor Diddy was reason enough to return to the public eye.
“Puff is pretty persistent,” he explained. “Any of us in this room, if Puff ever need us, we need to jump and be there. This man has been through and survived a lot of stuff. Broke down a lot of doors so we could be standing. I know for me, that I could be here today.”
He finished the emotional speech by telling Diddy in the audience: “If I never told you, I love you. You’re my brother.”
So, in light of his absence from the spotlight, fans were certainly glad to see Ye sounding so positive, with this marking his first awards show appearance since he pulled out of Coachella in April and had his Grammys performance scrapped in the same month due to “concerning online behavior.”
The speech is also the first time that Ye has made reference to Kim since they came to blows on Instagram, and coincides with reports that the exes are currently working on rebuilding their relationship as co-parents.
In fact, just over a week ago, Kim gave her ex a rare shoutout too, praising him for being the “best dad” to their four kids in a sweet Father’s Day tribute.
Well, if Ye’s joke about their failed marriage is any indication, it seems like things might finally be looking a little more friendly between Kimye as they navigate the final stages of their split.
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Thom Browne Spring 2023 Menswear
In 2017, Thom Browne expanded his oeuvre and put men in dresses during his menswear show in Paris. That collection, called “Why Not?” was less a provocation than a flex: The elegant elongated shapes Browne was developing for women translated, seamlessly and cheekily, for men. Five years later—and after a two-year hiatus from Paris—Browne’s menswear…
In 2017, Thom Browne expanded his oeuvre and put men in dresses during his menswear show in Paris. That collection, called “Why Not?” was less a provocation than a flex: The elegant elongated shapes Browne was developing for women translated, seamlessly and cheekily, for men. Five years later—and after a two-year hiatus from Paris—Browne’s menswear is back in the French capital with similar potency. His spring 2023 collection, suspended almost entirely from jock straps, is Browne’s updated meditation on “how far you can push it?”
“I thought the dresses were too much back then,” Browne began at a preview in his showroom, “but now feels like the time to do this. It’s about how much guys can look at and entertain.” Referring to the many visible cheeks on the catwalk, he pointedly added: “It’s not about shock value.”
If not shock, then what? There has been a lot of nudity this menswear season and in the past two years in general, but Browne’s stated intent is less about showing flesh than it is about finding a new form for men. You can see how he could get bored quick. This is his third catwalk in under a year—plus four pre-collections. “I have a good team” he demurred when asked how he creates with such voracity.
So the brief was brief this season: short, mini, kinky, gorgeous. Each of the looks was made in a unique French tweed, from the same maker of you-know-who’s tweeds, inspired by the couture ideology of the 1940s and 1950s. The show began with friends of the maison as couture clients—Anh Duong, Marisa Berenson, Farida Khelfa, and more—bolting in to the second floor of the Crillon to find their seats. From their vantage point they could ogle the guys—a nice swap—in their shorter-in-the-back kiltlets, sailor tops, cropped organza button downs, and luxurious tweed coats with gold bouillon. As with any Browne outing, the fabrics and silhouettes were as fine as can be.
After a mostly underwhelming season, at least according to the menswear editors I tallied, how far could this irreverent beauty really go, though? Several balked. Others chuckled. When a dancer emerged at the end of the show dressed in a codpiece with an anchor Prince Albert piercing, I exchanged a glance with a friend across the aisle and we both giggled. Last night was Pride in Paris. In Browne’s beloved USA, human rights are being revoked by the hour. It would be hard to picture a more gay and proud couture-worthy collection: the sailor, the cowboy, the surfer, the tennis pro; the stereotypes divorced from expected connotations, made in the artisanal gold standard of womenswear design, ass cracks gleaming and pert under those red, white and blue bars of gingham. Browne is gay and proud. Will his cis-het clientele be radicalized or scandalized? A voiceover that started the show spoke about the couture process of the ’50s, when women were swans and men were their benefactors. “Men have the very great pleasure of paying,” said the recording. Time to pay up, boys.
Ambush Resort 2023
“The touchpoint and the root of every Ambush collection has to come from everything that happens in Japan that is unique,” said Yoon Ahn when we met at the very beginning of Paris Fashion Week. Given that she has been on that scene since the early 2000s, when she moved to Tokyo with her family,…
“The touchpoint and the root of every Ambush collection has to come from everything that happens in Japan that is unique,” said Yoon Ahn when we met at the very beginning of Paris Fashion Week. Given that she has been on that scene since the early 2000s, when she moved to Tokyo with her family, not to mention that the Ambush office sits right in Shibuya, Yoon has plenty of material to mine. This pre-collection represented a down-tempo interlude in Ambush’s rhythm of show season spectacular, and was more observationaL. The collection was designed as an imagined curation of the clothes she sees on the kids who are flocking back to Shibuya today. “Things are opening up, the clubs: everything’s coming back in Tokyo. I’ve been feeling that.”
Tailoring, sportswear, footwear, nylon-spliced denim, and of course this brand’s core category of jewelry was all effectively designed to be defined less by the wearer’s gender identity than their aesthetic orientation and subcultural proclivity. The classics covered, from Ambush specific bodice tops and kimono coats to standards including bowling shirts and tracksuits, were adroitly but subtly remixed through tweaks in proportion, color, and fabrication. Pills and mushrooms came suspended from safety pin earrings and chains, supplies brought in for a big night ahead. This though was a collection built for street life: night life comes later.
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