“Distinctive”: that is how Riccardo Cocciante defines “Notre Dame,” a musical that restarts with a brand new date in its first 20 years.
“I imagine Notre Dame de Paris, a novel work as a result of its typology, consistency and illustration”. That is the primary sentence Ricardo Cocciante Devoted to probably the most profitable musical of the previous 20 years. Arrived in Italy in 2002, 20 years of record-setting musical performances with masters have introduced generations of all ages to the theatre.
So, on the 20 th birthday, the tour resumes safely in Italy, debuting on the Teatro degli Arcimboldi in Milan (3 March) and persevering with till the tip of the 12 months.On such an vital anniversary, just for 2022 The present would be the protagonist I’The complete unique forged of the debut.
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So Lola Ponce returns as Esmeralda, discovering Giò Di Tonno for the primary time (Quasimodo), Vittorio Mateucci (Frollo), Leonardo Dimino (Clopin), Matteo Seti (Gringoire), Graziano Galato Interior (Febo) and Tania Tuccinardi (Fiordaliso). Particular friends on some particular dates on the tour will likely be Claudia D’Ottavi and Marco Guerzoni – Fiordaliso and Clopin respectively – who have been the primary interpreters in 2002.
“We wish that Notre Dame de Paris It may be utilized by everybody, of all ages and social lessons, not only for the realized,” Cocciante mentioned. “Anybody has to have the ability to perceive the textual content even with music supporting it, and we attempt to make it learn It sounds easy nevertheless it’s under no circumstances easy.”
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The musical soul that Cocciante was capable of sew for Notre Dame “walks between rock, pop and classical” – Persevering with the singer-songwriter – it is distinctive in lots of particulars, and that is maybe its success. I am unable to assist however identify who created this work with me, which relies on the unique novel. I am speaking about Luc Plamondon, the Italian model of Pasquale Panella. Solely by working collectively can we create all this collectively.”
From preliminary difficulties to everlasting work success
Exactly due to its ambition, Notre Dame was actually not a simple undertaking. “Nobody believed it at first, it was exhausting to seek out producers in FranceQuite the opposite, I recall that he was nearly pressured to take heed to me”, says Riccardo Cocciante. “However for the artist the problem of beginning is important: as a result of he has to dwell along with his variations and he has to attempt to conquer, Regardless of the whole lot and everybody”.
“As an artist, it’s exhausting to be distinctive, however for me it’s important to exist and proceed like this,” Cocciante mentioned. “In addition they rejected me many occasions at first as a result of they mentioned I could not sing, I screamed an excessive amount of, I used to be offended, I used to be quick.”
However the wager paid off. “Such a work is completely different and the producers should imagine in one thing new. Its variety is its power and success, in France and ItalyThe work that adopted was an ongoing and punctual course of, as we speak because it was yesterday. “I labored on voice with all of the characters, whereas the director centered on the physicality of the characters on stage”, the singer-songwriter defined. “Magnificence It is not about roles, it is about having turn out to be one and dealing collectively.”
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“Notre Dame de Paris It is exhausting to sing, additionally as a result of after I write, I exploit a variety of voices, so the interpreters should be proficient sufficient,” Cocciante continued.”This painstaking work entails your entire workforce To provide the identical form collectively. an everlasting type”.
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“That is why I wished to place in some timeless devices and sounds that weren’t too fashionable”, the grasp concluded. “For instance, I desire percussion to drums. Then you will discover classical dance and breakdancing. And The textual content is neither strictly fashionable nor historical.Each are collectively, and so is the music: It is Renaissance, it is rock.”
2022 tour dates
The 2022 tour, produced by Clemente Zard in collaboration with Enzo Product Ltd (curated and distributed by Vivo Concerti), begins in Milan on March 3 and provides extra new appointments. Listed below are all of the dates:
- 3-27 March 2022 – Milan @Teatro degli Arcimboldi
- April 8-10, 2022 – Ancona @PalaPrometeo
- April 15-17, 2022 – Jesolo (VE) @PalaInvent
- Might 6-8, 2022 – Florence @nelsonmandela discussion board
- 12-15 Might 2022 – Rome Palace of Sports activities in Rome
- Might 26-28, 2022 – reggio calabria Palazzo Calafiore
- June 9-12, 2022 – Lugano Luck Theater
- 22-24 July 2022 – they roll out (CH) Rose Backyard Villa
- July 27-29, 2022 – Ferrara Ferrara Summer season Pageant c/o Piazza Ariostea
- August 5-7, 2022 – San Pancrazio Salentino (BR) Occasions Discussion board
- 12-14 August 2022 – pula (CA) Fort Enviornment
- 18-24 August 2022 – Palermo Verdura Theater
- September 8-11, 2022 – lake tower (LU) Massive Amphitheatre “Giacomo Puccini”
- October 27-30, 2022 – Naples Parter Knop Theatre
- 3-6 November 2022 – Barry Palaflorio
- 11-20 November 2022 – catania paracatania
- 26-27 November 2022 – Eboli (SA) Paracele
- December 2-4, 2022 – Casalecchi Audi Reno (BO) Unipol Enviornment
- December 9/11, 2022 – Turin Pala Alps
- December 14-18, 2022 – Trieste Politeama Rossetti Theater
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